In October, I will have two new books out: Most Excellent and Lamentable: Selected Stories, a “greatest hits” fiction collection that draws from my 18-year career thus far; and Best New Singaporean Short Stories: Volume Four guest edited by Pooja Nansi, the latest instalment of the definitive anthology series of current Singaporean fiction writing.
Very likely, Epigram Books will be launching both titles this November at the 2019 Singapore Writers Festival, but you can also preorder both titles now directly from the publisher (and get them mailed to you as soon as they arrive from the printers)! Short stories galore!
I’m so excited for the release of both these books, and I can’t wait for y’all to read them. If you are a book reviewer for a legitimate venue, email me so we can get a review copy to you ASAP.
Praise for Most Excellent and Lamentable
“This is a superb collection of beautifully crafted stories. They range from exquisite miniatures that render entire worlds within a few words to longer stories rich with the complexities of human interactions with the Other—where the Other might be a foreign tourist, a shaman, a fish that speaks or a wombat. Infused with a Southeast Asian sensibility, these tales transcend boundaries in the best tradition of speculative fiction.”
—Vandana Singh, author of Ambiguity Machines and Other Stories
“Phlogiston (I am assured by usually reliable sources) does not exist…and yet something rare is powering these shimmering, surprising, infinitely combustible stories. Strange energies crackle throughout this most excellent collection.”
—Andy Duncan, author of An Agent of Utopia and three-time World Fantasy Award winner
“In Lundberg’s narratives, endings are transformations, a change from one state to another: from ignorance to knowledge, from pain to understanding, from confusion to bliss. Death is a primary instigator, but it is not alone. Epiphanies and sad wisdom inhabit endings as well, and reveal the seeds of continuance. ‘What comes after’ and ‘what happens next’ are concerns of the author’s work, and he shares his take on karmic cycles and serpentine circles as he reveals the tantalising ever-afters. It is love that happens afterwards. Love continues. Identity continues. Remembrance continues. The story continues for it never truly ends, with each ending offering a new beginning, or a continuation, after profound changes. It is this insight, this narrative truth, that creates impact—that hope is never truly lost, and what is now is only for now.”
–Dean Francis Alfar, Palanca Grand Prize-winning author of Salamanca and The Field Guide to the Roads of Manila (from the introduction)
From the preface of Best New Singaporean Short Stories: Volume Four
“Our stories are everywhere we look, and those stories matter; they are as varied and as manifold as we are. The pieces here are by student writers, full-time writers, hobbyists—some of the writers are based in Singapore, some are away from the city, and others call this city home, however momentarily. But all these stories speak to the very human truths of loss and desire in one way or another.”
–Pooja Nansi, author of Love Is an Empty Barstool