Category Archives: Editing

Now Open for Freelance Editing Projects in 2020

It’s a new year (and a new decade!), and so I am happy to announce that I am now free to take on new freelance editing projects. Indeed, I’m currently in the middle of the editing process for my own novel, A Fickle and Restless Weapon, and also trying to figure out how to write One Nine Eight Six (the standalone sequel to Diary of One Who Disappeared, and the third volume of my Tinhau trifecta), but I also want to be much more active with literary freelancing this year.

(And yes, I’ve always done this concurrently with my day job at Epigram Books. As long as there’s no conflict of interest, there’s no problem.)

My rate is S$100/hour for structural editing (50% down, payable via PayNow, bank transfer or PayPal), with every 10,000 words requiring approximately 5 billable hours of labor; an editorial letter of recommendations and suggested changes is provided at the end of the project. My bibliography speaks for itself, but you can also check out my LinkedIn profile for extensive work experience and glowing testimonials.

To brag for just a moment, a number of books I edited professionally have been afforded the following accolades:

1. Singapore Literature Prize winners (Ministry of Moral Panic by Amanda Lee Koe, State of Emergency by Jeremy Tiang)

2. Singapore Literature Prize finalists (In Time, Out of Place by You Jin, The Widower by Mohamed Latiff Mohamed, It Never Rains on National Day by Jeremy Tiang, Sugarbread by Balli Kaur Jaswal, The Gatekeeper by Nuraliah Norasid, Regrettable Things That Happened Yesterday by Jennani Durai)

3. Singapore Book Award winners (Ministry of Moral Panic by Amanda Lee Koe, Now That It’s Over by O Thiam Chin, The Gatekeeper by Nuraliah Norasid, Lion City by Ng Yi-Sheng)

4. Singapore Book Award finalists (Big Mole by Ming Cher, Sugarbread by Balli Kaur Jaswal, Inheritance by Balli Kaur Jaswal, Kappa Quartet by Daryl Qilin Yam, State of Emergency by Jeremy Tiang, Once We Were There by Bernice Chauly, Lieutenant Kurosawa’s Errand Boy by Warran Kalasegaran, Gull Between Heaven and Earth by Boey Kim Cheng, The Riot Act by Sebastian Sim, Nimita’s Place by Akshita Nanda)

5. The Straits Times year’s best list (Clear Brightness by Boey Kim Cheng, A Certain Exposure by Jolene Tan, Now That It’s Over by O Thiam Chin, Sugarbread by Balli Kaur Jaswal)

6. The Business Times year’s best list (Confrontation by Mohd Latiff Mohd, Ministry of Moral Panic by Amanda Lee Koe, A Certain Exposure by Jolene Tan, Trivialities About Me and Myself by Yeng Pway Ngon, Now That It’s Over by O Thiam Chin, Sugarbread by Balli Kaur Jaswal, Kappa Quartet by Daryl Qilin Yam)

So if you’re in the market for insightful and constructive feedback on your novel, short story collection, or creative nonfiction work, grab a slot now!

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Decade in Review

So tomorrow is the last day of the decade, and I’ve been thinking about how much has changed for me in the last ten years. As you can see in the photo above, I published a hell of a lot of books: seven picture books, five anthologies, ten issues of a literary journal, one chapbook, four fiction collections, and a novella. I must once again thank Kenny Leck at Math Paper Press, Keith Brooke at Infinity Plus Books, and Edmund Wee at Epigram Books for believing in these titles enough to bring them out into the world to play nice with readers. The first of these was Red Dot Irreal in 2011, the little collection that could, and a book that I’m still very proud of.

I left my teaching job at the end of 2011, and started as Epigram Books’ first and only fiction editor in September 2012. Since then I have edited more than 50 books, many of which went on to appear on year’s best lists and win accolades of the Singapore Literature Prize and Singapore Book Awards. I’ve now been at the company for a little over seven years, and it has been the most fulfilling job of my adult working life.

I started getting invited to festivals this decade, which was a nice validation of my writing and editing capabilities. I appeared at the Singapore Writers Festival (2012-2019), George Town Literary Festival (2016, 2017, 2019), Singapore International Festival of Arts (2018), Asian Festival of Children’s Content (2016), AWP Conference & Bookfair (2015), Singapore Literature Festival in NYC (2014), Singapore International Translation Symposium (2014), and All In! Young Writers Media Festival (2013). The fact that I continue to get asked about my opinion on a variety of issues is a good indication that I’m doing something right.

After my marriage broke down, I went through a painful and protracted divorce, which was both emotionally traumatic and financially depleting, and also resulted in having to sell my previous flat co-owned with my ex-wife and buy a new flat on my own. All of this contributed to the most stress I have ever felt in my life, and there are days still that it weighs on my mind; I recently watched the Noah Baumbach film Marriage Story, and it dredged up a lot of the pain and sadness I felt during this period. But not only did I get through it, I now have a civil and respectful relationship with my ex, and have lived in a home that feels all my own for the past three years. Things are not exactly hunky dory, but they get better every day.

Most importantly, I grew as a parent and as a person while raising my daughter, Anya. She was born in October of 2009, so she did nearly all of her growing up this past decade, and I got to see her transform from an utterly dependent yet utterly adorable tiny human into an intelligent, funny, kind, creative, remarkable girl. I have been reminded again and again through my interactions with her what is truly important in life, and how to let the little things go. I’m a far more generous and thoughtful person because of simply being around her and enjoying the world through her eyes, and it’s my forever privilege to be her daddy.

The next decade is already off to a good start: my first novel (and 25th book), A Fickle and Restless Weapon, will be released in June 2020, and I’ll likely be starting up a Patreon sometime early in the year (I previously ran one for LONTAR, but this will be focused on my new novel-in-progress, One Nine Eight Six). I also have two books coming out through the Epigram Books UK imprint next year: Diary of One Who Disappeared and Best Singaporean Short Stories 1. I’ll also endeavour to be even kinder toward others and especially myself, to establish some habits to improve my health and well-being, to make more time for dating and other social situations, to remain open to new experiences, and to guide Anya through her pre-teen and teenage years with compassion and patience. I hope y’all will be along for the ride.

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Filed under Books, Editing, Lit Festivals, Parenthood, Publishing, Singapore, Writing

Now Available for Preorder: Two New Books!

     

In October, I will have two new books out: Most Excellent and Lamentable: Selected Stories, a “greatest hits” fiction collection that draws from my 18-year career thus far; and Best New Singaporean Short Stories: Volume Four guest edited by Pooja Nansi, the latest instalment of the definitive anthology series of current Singaporean fiction writing.

Very likely, Epigram Books will be launching both titles this November at the 2019 Singapore Writers Festival, but you can also preorder both titles now directly from the publisher (and get them mailed to you as soon as they arrive from the printers)! Short stories galore!

I’m so excited for the release of both these books, and I can’t wait for y’all to read them. If you are a book reviewer for a legitimate venue, email me so we can get a review copy to you ASAP.

Praise for Most Excellent and Lamentable

“This is a superb collection of beautifully crafted stories. They range from exquisite miniatures that render entire worlds within a few words to longer stories rich with the complexities of human interactions with the Other—where the Other might be a foreign tourist, a shaman, a fish that speaks or a wombat. Infused with a Southeast Asian sensibility, these tales transcend boundaries in the best tradition of speculative fiction.”
Vandana Singh, author of Ambiguity Machines and Other Stories

“Phlogiston (I am assured by usually reliable sources) does not exist…and yet something rare is powering these shimmering, surprising, infinitely combustible stories. Strange energies crackle throughout this most excellent collection.”
Andy Duncan, author of An Agent of Utopia and three-time World Fantasy Award winner

“In Lundberg’s narratives, endings are transformations, a change from one state to another: from ignorance to knowledge, from pain to understanding, from confusion to bliss. Death is a primary instigator, but it is not alone. Epiphanies and sad wisdom inhabit endings as well, and reveal the seeds of continuance. ‘What comes after’ and ‘what happens next’ are concerns of the author’s work, and he shares his take on karmic cycles and serpentine circles as he reveals the tantalising ever-afters. It is love that happens afterwards. Love continues. Identity continues. Remembrance continues. The story continues for it never truly ends, with each ending offering a new beginning, or a continuation, after profound changes. It is this insight, this narrative truth, that creates impact—that hope is never truly lost, and what is now is only for now.”
Dean Francis Alfar, Palanca Grand Prize-winning author of Salamanca and The Field Guide to the Roads of Manila (from the introduction)

From the preface of Best New Singaporean Short Stories: Volume Four

“Our stories are everywhere we look, and those stories matter; they are as varied and as manifold as we are. The pieces here are by student writers, full-time writers, hobbyists—some of the writers are based in Singapore, some are away from the city, and others call this city home, however momentarily. But all these stories speak to the very human truths of loss and desire in one way or another.”
Pooja Nansi, author of Love Is an Empty Barstool
 

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Introducing BNSSSv4 Guest Editor Pooja Nansi!

Pooja Nansi and Jason Erik Lundberg, guest editor and series editor of
Best New Singaporean Short Stories: Volume Four.
Photo copyright © 2015 by Jason Erik Lundberg.

The contract has been signed, and so I am elated to announce that Pooja Nansi will be the guest editor of Best New Singaporean Short Stories: Volume Four! Yay, w00t and huzzah!

I’ve long wanted to work with Pooja on a project, and I’m so delighted that she’s agreed to curate our fourth volume of BNSSS (to be released by Epigram Books in October 2019). I’m a great admirer of her poetry and performance (Love is an Empty Barstool is one of my all-time favourite Singaporean poetry collections), her commitment as an educator (both as a teacher and as Singapore’s first Youth Poet Ambassador), and her eagerness to pay it forward by spearheading the incredible spoken word / reading series Speakeasy. And though she’s known primarily as a Young Artist Award-winning poet, she has a finely discerning eye for prose as well, and I can’t wait to see what stories she selects for the anthology.

As before, we are only considering previously published short stories by Singaporean writers. We will be already looking at notable lit journals as well anthologies and single-author collections by major Singaporean publishers. However, if you would like to recommend a published short story under 10,000 words, you can shoot me an email, and I’ll pass it along.

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EB Authors at Kino for World Book Day!

If I could put on my editor’s hat for a moment, four of my authors at Epigram Books, as well as your humble narrator, will be appearing this Saturday afternoon at Kinokuniya’s Singapore main store as part of their World Book Day celebrations!

At 2pm, I will be moderating a panel on “Worlds Beyond Words” with our #EBFP2015-longlisted authors: Daryl Qilin Yam, Imran Hashim and Kevin Martens Wong. All three of their first novels (Kappa Quartet, Annabelle Thong and Altered Straits) go beyond Singapore’s shores to other places (and in Kevin’s case, to parallel worlds), so the discussion should be a fascinating one.

And at 4pm, Balli Kaur Jaswal will be appearing for a meet-the-author session to promote her new novel Erotic Stories for Punjabi Widows, recently published by HarperCollins UK! (And although the session will focus on the new novel, copies of Inheritance and Sugarbread will be available for sale.)

So come celebrate World Book Day with us Saturday, and get some fantastic books signed!

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Fiction Accolades for Epigram Books in 2014

To toot my own editing horn for a moment, 2014 was quite a year for fiction at Epigram Books. In addition to publishing works by debut authors (A Certain Exposure by Jolene Tan and The Space Between the Raindrops by Justin Ker), translations by award-winning authors (The Goddess in the Living Room by Latha and Trivialities About Me and Myself by Yeng Pway Ngon), a new short story collection by one of my favorite poets (Ten Things My Father Never Taught Me and Other Stories by Cyril Wong), and the third issue of LONTAR, we also received the following accolades:

1. The 2014 Singapore Literature Prize for English Fiction (Ministry of Moral Panic by Amanda Lee Koe);

2. 2014 Year’s Best list, The Business Times and The Straits Times (A Certain ExposureTrivialities About Me and Myself and Last Train from Tanjong Pagar by Koh Hong Teng (graphic novel)*)

3. Top 10 English Singapore Books from 1965-2014, The Business Times (Ministry of Moral Panic);

4. Longlist for the 2014 Frank O’Connor International Short Story Award (Ministry of Moral Panic);

5. Six of our titles picked as “Book of the Year” on the Singapore Poetry website** (The Epigram Books Collection of Best New Singaporean Short Stories: Volume One, Ministry of Moral Panic***, The Wayang at Eight Milestone by Gregory Nalpon, A Certain Exposure, Trivialities About Me and Myself, and Last Train from Tanjong Pagar).

We must be doing something right over here. 😀

2015 is already shaping up to be an interesting year, with Big Mole by Ming Cher (the long-awaited sequel to his smash hit Spider Boys), translations by Cultural Medallion winners You Jin and Mohamed Latiff Mohamed, LONTAR #4 and #5, and The Epigram Books Collection of Best New Singaporean Short Stories: Volume Two. I’m hoping to fill a few more slots in the second half of the year, so do keep those manuscripts coming!

 

* Tangentially related, as it is a hybrid of memoir and fiction; the editor on this book was Aditi Shivaramakrishnan.

** My chapbook Embracing the Strange also made this list, to my delight.

*** Ministry of Moral Panic was chosen four separate times for this list.

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