Category Archives: Lit Festivals

Fish Eats Lion Redux Review and Launch Info

Fish Eats Lion Redux was given a four-star review in The Straits Times this past weekend! The article singled out several individual pieces, and had some very nice things to say about the book as a whole:

“Powerfully imaginative and artfully crafted. Like the best speculative fiction, many of the stories explore with an alternate lens of the past, present or future social commentary on how a society lives. A strong showing from some of the best, as well as some of the newest and freshest, in the business.”

The full review can be found online, though it’s behind a subscriber paywall. However, if you click the image above, you might be able to read the whole thing.

Also, as mentioned in the previous post, we will be doing a two-part launch for the book, in order to feature as many of our contributors as possible. If you can, please do come to either event (or both!) and get your copies signed by some wonderful writers of imaginative fiction. Details below:

Book Launch Part 1: Fish Eats Lion Redux
Singapore Writers Festival
12 Nov, 400-500pm
with Meihan Boey, Ng Yi-Sheng, Wen-yi Lee & Suffian Hakim
The Arts House, Living Room

Book Launch Part 2: Fish Eats Lion Redux
26 Nov, 300-430pm
with Cyril Wong, Felicia Low-Jimenez, Inez Tan & Victor Fernando R. Ocampo
Kinokuniya Singapore Main Store

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My Schedule of Events for 2022 SWF

The Singapore Writers Festival is back in person this year, and extended from two weekends to three! Here are my events; hope to see you there!

1. Book Launch: Fish Eats Lion Redux (moderator)
12 Nov, 400–500pm
with Meihan Boey, Ng Yi-Sheng, Wen-yi Lee & Suffian Hakim
The Arts House, Living Room
Free admission

Fifteen powerfully imaginative authors examine Singapore in the distant past, in the far future, and on various points along the multiverse in Fish Eats Lion Redux. Join us and celebrate the release of this anthology of speculative short stories that The Straits Times calls “a strong showing from some of the best, as well as some of the newest and freshest, in the business”. Four of our contributors will present the visions of Singapore conjured in their stories, and discuss what went into their creation.

2. Panel: Just the World I’m Looking For: The Multiverse and Fiction (moderator)
12 Nov, 630–730pm
with Victor Fernando R. Ocampo, Nuraliah Norasid & Meihan Boey
Asian Civilisations Museum, Ngee Ann Auditorium
Festival Pass

The age-old struggle between fate and chance. The dreams and fantasies we cling to as testaments to all the versions of ourselves we could have been. We’re familiar with multiverse theory in science (and Doctor Strange), but does it hold any weight in fiction about the everyday, and do we need it? Four authors discuss the logic of creating alternate timelines, the recent interest in multiverse theory among fiction writers, and whether the multiverse provides us with answers about all the “what ifs” in our lives. This is your road not taken.

3. Panel: A Warning, or a Mirror? – Living in a Dystopian World
13 Nov, 330–430pm
with Tulika Ahuja (mod), Kass Morgan, Sylvie Denis & Jon Alexander
Asian Civilisations Museum, Ngee Ann Auditorium
Festival Pass

Recording yourself doing anything. Tracking everything from calories to your partner’s whereabouts. Living life in a metaverse. Robots… everywhere ᴮˡᵃᶜᵏ ᴹᶦʳʳᵒʳ ᴬˡᵉʳᵗ ! Not gonna lie, our world’s looking a little sTrAnGe these days with these various growing impulses. As fiction blurs with reality, four speakers answer the question: are we already living in a dystopia?

4. Panel: Occupying the “If”: Embracing the Unknown
19 Nov, 1100am – 1200pm
with Barrie Sherwood (mod), Ang Shuang & Clarissa Goenawan
Asian Civilisations Museum, Discovery Room
Festival Pass

It’s time to burn all your SparkNotes and cheatsheets. There’s a life beyond agonising over the “true” meaning of the text, unleashing your frustration with unreliable narrators, and ragequitting unsolved mystery cliffhangers. We’ve brought in three writers who thrive in the unknown, and for whom aggravating ambiguity transforms into imaginative possibilities. How deep will the rabbit hole go?

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SWF2021 events now on VOD

Both of my events for the 2021 Singapore Writers Festival are now available to watch via Video-on-Demand on SISTIC; you’ll need to buy a VOD Pass for $12 SGD, but it’ll give you access to all the panels and author events available there until 28 Nov (this coming Sunday).

Unravelling the Human Psyche in Fiction
with Carolyn Camoens (moderator), Prayaag Akbar and Clarissa Goenawan

How much of the personal is political, and vice versa? We ask writers whose imperfect protagonists and compelling character dynamics give readers a glimpse into the complexity of the human psyche, all about the tensions of writing the interior while addressing the larger forces that shape human relationships and behaviour.

Unravelling the Human Psyche in Fiction
Unravelling the Human Psyche in Fiction

 

Man Vs Machine (moderator)
with Becky Chambers, Aase Berg and Victor Fernando R. Ocampo

How has artificial intelligence given rise to new writing on the robot-human relationship? Can the speculative play a role in normalising otherness and shed light on what it means when contemplating a post-human existence?

Man Vs Machine
Man Vs Machine

 

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Events for 2021 SWF

Singapore Writers Festival 2021I’ll be appearing once again at the Singapore Writers Festival next month (my eleventh year in a row as a featured author), and even though there will be a mix of online and in-person events, the festival will be primarily virtual, as it was last year. Which I knew was coming, but it still makes me a bit sad that for the second year in a row, the pandemic has made it impossible for me to see many of my friends in the literary scene face to face.

However, the benefit is that anyone with a Festival Pass can watch my events from anywhere in the world! I’ll be participating in two panels this year, so catch them if you can:

Unravelling the Human Psyche in Fiction (livestream)
with Carolyn Camoens (moderator), Prayaag Akbar and Clarissa Goenawan

How much of the personal is political, and vice versa? We ask writers whose imperfect protagonists and compelling character dynamics give readers a glimpse into the complexity of the human psyche, all about the tensions of writing the interior while addressing the larger forces that shape human relationships and behaviour.

   📅: Saturday, 6 Nov 2021
   🕣: 4.00–5.00pm SGT
   📍: SWF 2021 Live

Man Vs Machine (moderator) (pre-recorded)
with Becky Chambers, Aase Berg and Victor Fernando R. Ocampo

How has artificial intelligence given rise to new writing on the robot-human relationship? Can the speculative play a role in normalising otherness and shed light on what it means when contemplating a post-human existence?

   📅: Sunday, 7 Nov 2021
   🕣: 11.30am–12.30pm SGT
   📍: SWF 2021 Live

See you there!
 

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Videos Galore! (update)

October was a very busy month, and thankfully I was able to do some more major promotion for A Fickle and Restless Weapon, five months after publication!

1. On Saturday, 24 October at 8.30pm SGT, over 50 people attended the novel’s official virtual book launch, featuring me in conversation with my very dear friend Dean Francis Alfar, hosted by Epigram Books on Zoom and livestreamed to Facebook Live. And as much as I missed having an in-person event, I was also happy that so many people who would not have been able to attend otherwise had the chance to be there (like, for example, my family in the US, and Terri Windling in the UK). It was a fun and casual and joyful hour that mostly felt like two old friends chatting, and I’m very happy with how it went. The launch recording is now available on the publisher’s Youtube channel:

2. I’ve known Sharon Bakar out of Kuala Lumpur for a while now, and in 2012 she invited me to read in KL as part of the long-running Readings@Seksan series. Because of the pandemic, the series has now gone digital as Readings@Home, and I was flattered when she and host Sumitra Selvaraj so generously allowed me to participate in the series for October. It was a pleasure to share the same online space as Golda Mowe, William Tham Wai Liang, Melizarani T. Selva and Zen Cho. Since the video was being released on Hallowe’en, the passage I decided to read is concerned with my puppeteer character Vahid, and the ghost of his best friend who makes a startling appearance (it starts at 32:16):

3. This was the ninth consecutive year that I was invited as a featured author at the Singapore Writers Festival, which is something I’m deeply grateful for and hope to never take for granted. I was on one panel this year, “Worldbuilding: The Devil’s in the Details,” moderated by Wayne Rée (who did a great job), and joined by Amie Kaufman and Meihan Boey as wonderful co-panelists. The event was streamed live to Festival Pass holders on SWF SISTIC’s microsite, and is now available on-demand until 18 Nov; after that, it goes away forever, so check it out while you can. It was a really fun discussion, and I’m glad we all had the chance to get together (albeit virtually) to explore the topic (click images to watch):

4. I was invited on fairly short notice to appear on Wayne Cheong’s Creatives Asia Podcast after meeting in person to discuss publishing and Nine Inch Nails, and eat claypot chicken rice. We talked a bit about A Fickle and Restless Weapon and its creation, but most of the conversation consisted of fanboying out over NIN and Trent Reznor, and it was super fun! It was livestreamed to Facebook and YouTube, and will also appear on Spotify, iTunes and Twitch later on.

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Filed under Books, Interviews, Lit Festivals, Nine Inch Nails, Publishing, Reading, Singapore, Southeast Asia, Tinhau

Decade in Review

So tomorrow is the last day of the decade, and I’ve been thinking about how much has changed for me in the last ten years. As you can see in the photo above, I published a hell of a lot of books: seven picture books, five anthologies, ten issues of a literary journal, one chapbook, four fiction collections, and a novella. I must once again thank Kenny Leck at Math Paper Press, Keith Brooke at Infinity Plus Books, and Edmund Wee at Epigram Books for believing in these titles enough to bring them out into the world to play nice with readers. The first of these was Red Dot Irreal in 2011, the little collection that could, and a book that I’m still very proud of.

I left my teaching job at the end of 2011, and started as Epigram Books’ first and only fiction editor in September 2012. Since then I have edited more than 50 books, many of which went on to appear on year’s best lists and win accolades of the Singapore Literature Prize and Singapore Book Awards. I’ve now been at the company for a little over seven years, and it has been the most fulfilling job of my adult working life.

I started getting invited to festivals this decade, which was a nice validation of my writing and editing capabilities. I appeared at the Singapore Writers Festival (2012-2019), George Town Literary Festival (2016, 2017, 2019), Singapore International Festival of Arts (2018), Asian Festival of Children’s Content (2016), AWP Conference & Bookfair (2015), Singapore Literature Festival in NYC (2014), Singapore International Translation Symposium (2014), and All In! Young Writers Media Festival (2013). The fact that I continue to get asked about my opinion on a variety of issues is a good indication that I’m doing something right.

After my marriage broke down, I went through a painful and protracted divorce, which was both emotionally traumatic and financially depleting, and also resulted in having to sell my previous flat co-owned with my ex-wife and buy a new flat on my own. All of this contributed to the most stress I have ever felt in my life, and there are days still that it weighs on my mind; I recently watched the Noah Baumbach film Marriage Story, and it dredged up a lot of the pain and sadness I felt during this period. But not only did I get through it, I now have a civil and respectful relationship with my ex, and have lived in a home that feels all my own for the past three years. Things are not exactly hunky dory, but they get better every day.

Most importantly, I grew as a parent and as a person while raising my daughter, Anya. She was born in October of 2009, so she did nearly all of her growing up this past decade, and I got to see her transform from an utterly dependent yet utterly adorable tiny human into an intelligent, funny, kind, creative, remarkable girl. I have been reminded again and again through my interactions with her what is truly important in life, and how to let the little things go. I’m a far more generous and thoughtful person because of simply being around her and enjoying the world through her eyes, and it’s my forever privilege to be her daddy.

The next decade is already off to a good start: my first novel (and 25th book), A Fickle and Restless Weapon, will be released in June 2020, and I’ll likely be starting up a Patreon sometime early in the year (I previously ran one for LONTAR, but this will be focused on my new novel-in-progress, One Nine Eight Six). I also have two books coming out through the Epigram Books UK imprint next year: Diary of One Who Disappeared and Best Singaporean Short Stories 1. I’ll also endeavour to be even kinder toward others and especially myself, to establish some habits to improve my health and well-being, to make more time for dating and other social situations, to remain open to new experiences, and to guide Anya through her pre-teen and teenage years with compassion and patience. I hope y’all will be along for the ride.

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Filed under Books, Editing, Lit Festivals, Parenthood, Publishing, Singapore, Tinhau, Writing

2019 George Town Literary Festival Schedule

The 2019 George Town Literary Festival starts this coming Thursday, and is set once again to be an engaging and important venue for the discussion of where we are and where we hope to be. I’m excited to be returning to Penang after a gap year, this time as a featured author (I was a moderator there in 2016 and 2017).

I’m also extremely flattered (and slightly befuddled) to be included in much of the press in the run-up to the festival. I was singled out as one of “10 Brilliant Minds to Selfie With at the George Town Literary Festival 2019” in Eksentrika (eep), as well as mentioned in Penang Free Sheet, The Star (Malaysia) and Nikkei Asian Review*. I’m not used to thinking of myself as a festival headliner, or as someone who is an audience draw for these types of events, so I’m filled with delighted bemusement at all the attention.

The festival bookstore this year is Books Kinokuniya Malaysia, and they should have my books for sale there (at the very least, Most Excellent and Lamentable and Diary of One Who Disappeared), but I also want to encourage people to patronise George Town’s hometown indie bookshop Gerakbudaya, both at their original location on Pitt Street (Jalan Masjid Kapitan Keling), and at Hikayat on Beach Street (Lebuh Pantai).

So, if you’re in George Town from 21–24 November, I hope to see you at the following events:

1) Workshop: Worldbuilding 101: Strange New Worlds
Gerakbudaya Bookshop @ Hikayat (Beach Street), 22 Nov, 330-500pm

Speculative fiction often takes place in otherworldly settings, such as George R.R. Martin’s Westeros, the planet Ilus in the Expanse novels by James S.A. Corey, or a slightly different version of the world we know. The details that go into the imagining of a fantastical setting allow the writer to both ground a narrative in reality and challenge the notions of that reality. This workshop will give participants the skills to be able to create their own strange new worlds as the backdrops for their fiction.

The festival itself is free, but the fee for this workshop is RM75 per participant. To reserve a spot for this session, make sure to pre-register here and then make your payment at the festival.

2) Panel: Is the Screen Our Enemy?
with Tiwin Aji (mod), Dhinesha Karthigesu, Lur Alghurabi and Karoline Kan
Level 1, UAB Building, China Street Ghaut, 23 Nov, 930-1100am

Younger people are probably reading and writing as never before, but they are doing so on mobile devices and on platforms like Instagram and Tik Tok. Traditional formats and media have been challenged by the all-powerful screen, and those behind them are redefining story-telling for their corporate interests. Can we go beyond the critiques and lamentations and find a way to bring the transformative power of the word back to the next generation?

3) Panel: It’s the End of the World as We Know It
with Ann Lee (mod), Lokman Hakim and Tiffany Tsao
Ground Floor, UAB Building, China Street Ghaut, 24 Nov, 400-530pm

Sci-fi, fantasy, surrealism and speculative fiction open up endless possibilities of how we imagine our past, present and future. How do writers harness their wild imaginations to create a believable work that defies our known reality?

 
* In this article, I am referred to as an expatriate, but I do not view myself as such. I have very little in common with the expat community in Singapore, and prefer to call myself a migrant or immigrant instead.
 
 

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2019 Singapore Writers Festival Schedule

The 2019 Singapore Writers Festival is now less than seven weeks away, and my appearance schedule has been confirmed. I look forward to SWF every year, because it’s like a family reunion with all my writer friends in Singapore, and I’m especially excited this year because it’s been curated by my good friend Pooja Nansi, who is keen to give a platform to newer and more unexpected authors. (Though I myself am not terribly new or unexpected.)

So if you’re in Singapore from 1–10 November, I hope to see you at the following events and/or around the civic district during this time!

1) Panel: The Absurd, the Mundane and Everything in Between
The Arts House, Living Room, 02 Nov, 630-730pm

How do we make art from arbitrary, absurd, and mundane moments in life? Can boredom be interesting? Three writers interrogate the humdrum weave of the every day and discuss how they have incorporated such moments to craft narratives that reveal poignant truths about the human experience.

2) Launch: Keeping It Fresh: A Defence of Originality
Book Launch of The Angel Tiger and Most Excellent and Lamentable
The Arts House, Gallery II, 08 Nov, 700-800pm

Authors Jason Erik Lundberg and Barrie Sherwood will look at the idea of short story collections and how they are put together, and how authors/editors keep it fresh. With so many stories being told year after year, can stories truly be original? There will also be a Q&A and a book-signing at this event.

3) Panel: Ruling the Galaxy (moderator)
The Arts House, Living Room, 09 Nov, 500-600pm

When writing about intergalactic empires and space adventures, to what extent do writers need to be mindful of scientific plausibility? Should they abide by space travel rules at all? Three writers discuss why they’ve chosen to set their stories in space and how they’ve imagined an entire interstellar universe.

4) Launch: Uniquely Singapore(an)
Book Launch of Best New Singaporean Short Stories: Volume Four
The Arts House, Living Room, 09 Nov, 830-930pm

Editors Jason and Pooja will discuss what makes a great Singaporean short story. Is it simply making characters Singaporean? Do the situations have be uniquely Singaporean? Jason and Pooja will also shine the spotlight on new authors whose offerings are included in this latest volume of short stories. There will also be a Q&A and a book-signing at this event.

5) Panel: Not Here, Not There
Asian Civilisations Museum, Ngee Ann Auditorium, 10 Nov, 1230-130pm

In the wake of growing nativism in the world today, how do these writers consider the notions of belonging and not belonging in their works? Who or what determines the right to belong, and how should we discuss the nuances involved in acts of staying, moving, and settling?
 
 

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My SWF 2018 Author Schedule

SWF logo

In just a few weeks, the festivities for the 2018 Singapore Writers Festival will kick off, and I’m happy to have been invited as a featured author once again (this will make the seventh year in a row). I’ll be around for much of the festival, but here are the events that I’m directly involved with.

1. Panel: Achieving Utopia
with Patrick Williams (mod), Thea Lim and Rachel Heng
The Arts House, Gallery II, 02 Nov, 800-900pm

2. Launch: Short Stories About Home (moderator)
Lion City by Ng Yi-Sheng & Marriage and Mutton Curry by Dato’ M. Shanmughalingam
The Arts House, Gallery II, 03 Nov, 130-230pm

3. Reading: Alluvium: The Journal of Literary Shanghai
with Tina Kanagaratnam (mod), Chua Chee Lay, Daryl Lim, Xiangyun Lim, Lynette Tan, Tse Hao Guang and Cyril Wong
The Arts House, Gallery II, 05 Nov, 730-900pm

4. Panel: LONTAR Retrospective
with Michelle Martin (mod), Victor Fernando R. Ocampo and Christina Sng
The Arts House, Festival Bookstore, 08 Nov, 730-830pm

5. Panel: The Uncanny (moderator)
with Han Yujoo, Intan Paramaditha and Jon Gresham
The Arts House, Blue Room, 10 Nov, 200-300pm

My author page is incomplete, and the LONTAR event will not be on the programme (since it’s being organised by BooksActually for the festival bookstore), so please refer to this page for the most complete information.

So yeah, I’m going to be pretty busy with my own events, and I’m super excited to attend David Sedaris’ SWF lecture, “Love, Death and Family Life: Postcards from David Sedaris,” and I’ll be taking Anya to some of the SWF3 (SWF For Families) events, but do please say hello if you see me (likely looking a bit dazed).

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GTLF 2017 in Pictures

I had a phenomenal time at the 2017 George Town Literary Festival last month. After the insanity of the Singapore Writers Festival (over 25,000 in attendance, a 25% jump from last year!), it was wonderful to attend a more intimate festival, even if it also boasted its highest-ever attendance at 4,500 people. Both the panels I moderated were very well-attended, and I got to see existing friends and make some wonderful new ones. As well as patronise the very well maintained festival bookstore run by Gerakbudaya Bookshop. George Town is a lovely place to spend a long weekend, and the festival was run expertly well; I can’t thank all the organisers, staff and volunteers enough for making it such an enjoyable experience.

I had such a great time that I often forgot to take photos, but here are just a few.

With Jelena Dinic and Laksmi Pamuntjak after the Opening Ceremony

With Marc de Faoite and Sonny Liew in the festival bookstore

The festival bookstore run by Gerakbudaya was kind enough to stock some of my books

Lunch at a nearby hawker centre, with Sharon Bakar, Marc de Faoite, Anthony Cummins and Marco Ferrarese

With Zen Cho, Intan Paramaditha, Dorothy Tse and Felicia Yap, for “Braver Worlds: Visions of the Future/Past”

With Bernice Chauly and Edmund Wee, after Bernice’s novel Once We Were There won the inaugural Penang Monthly Book Prize

With Gerður Kristný, Zen Cho, Paul McVeigh and Arshia Sattar, for “When Immortals Walked Among Us”

Gerakbudaya Bookshop’s actual Penang store, to which I paid homage (and some money)

My final book haul: The Door by Dorothy Tse (trans. Natascha Bruce), Snow and Shadow by Dorothy Tse (trans. Nicky Harman); Bloodhoof by Gerður Kristný (trans. Rory McTurk); Taboo: Poems by Melizarani T. Selva; El Filibusterismo by José Rizal; and The Face: A Time Code by Ruth Ozeki.

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GTLF 2017 Moderator Schedule

GTLF logo

This weekend, I’ll be returning to Penang for the 2017 George Town Literary Festival, and I’m delighted to have been asked back as a moderator. And after the almost overwhelming craziness of SWF, it’ll be nice to discuss books and writing in a more intimate setting. I’ll be attending a bunch of panels and readings, as well as the award ceremony for the inaugural Penang Monthly Book Prize (for which Bernice Chauly’s novel Once We Were There, which I edited, is shortlisted), but here are the events that I’m directly involved with:
 

Panel: Braver Worlds: Visions of the Future/Past (moderator)
with Zen Cho, Intan Paramaditha, Dorothy Tse, and Felicia Yap
Bangunan UAB, Heaven (Level 2), 25 Nov, 315–415pm

Speculative, dystopian and fantastical genres have always been a challenge for some, but not for others. These four writers have defined and re-defined the genres they work in and continue to create worlds that defy our imaginations. How do they revision the future and the past? How does the writer act as an agent for the in-between of what is real, plausible and fantastical? And is this the way of writing the future?
 

Panel: When Immortals Walked Among Us (moderator)
with Arshia Sattar, Gerður Kristný, Paul McVeigh, and Zen Cho
Bangunan UAB, Heaven (Level 2), 26 Nov, 1115am–1215pm

There are many commonalities in the world’s mythologies and cosmologies. Greek legends, Norse and Celtic sagas, and Hindu epics all had gods and goddesses who were anthropomorphic and therefore resistant to Joseph Campbell’s argument – ‘that the secret cause of all suffering is mortality itself, which is the prime condition of life.’ Did the immortals deny humans the right to live uninterrupted, guilt-free lives? What is the notion of ‘god’ and its mythos in literature? We examine some of our most enduring myths, the power they still wield in our everyday lives and narratives, and how these stories have evolved from then until now.

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Filed under Books, Dystopia, Lit Festivals, Southeast Asia, Writing

SWF 2017 Author Schedule

SWF logo

Tonight, the festivities for the 2017 Singapore Writers Festival will kick off, and I’m happy to have been invited as a featured author again this year. I’ll be around for most of the festival, but here are the events that I’m directly involved with.

Launch: New Titles by Epigram Books (Launch Pad and Regrettable Things That Happened Yesterday [ FB event ] (moderator)
with Shelly Bryant and Jennani Durai
The Arts House, Gallery II, 05 Nov, 400-500pm

Panel: The Evolution of the Singapore Short Story
with Koh Tai Ann (mod) Clara Chow and Ovidia Yu
The Arts House, Blue Room, 10 Nov, 700-800pm

Panel: Writing Between the Genre Lines
This session is part of the Speculative Fiction focus.
with Desmond Kon Zhicheng-Mingdé (mod), Aliette De Bodard and O Thiam Chin
The Arts House, Blue Room, 11 Nov, 830-930pm

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Surreal Worlds of Southeast Asia

Worldcon-SEApanel

Photo courtesy of Patricia Mulles

On 11 August at 10:00 in the morning, I moderated a panel at Worldcon 75 in Helsinki, called “Surreal Worlds of Southeast Asia“. Joining me were Aliette de Bodard and Victor Fernando R. Ocampo, two great writers whom I admire, and we had a fascinating discussion about speculative fiction in and about Southeast Asia; they also discussed their work and I talked a bit about LONTAR (which needs your help right now).

The audience was a decent size for a 10am event, and I discovered afterward that all the copies of Red Dot Irreal and LONTAR that I brought sold out at the convention. I was very happy to see that we had spread the word, and hopefully folks will go looking for more Southeast Asian speculative writing in the future.

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Announcing Best New Singaporean Short Stories: Volume Three

The Epigram Books Collection of Best New Singaporean Short Stories V3

Cover design by Yong Wen Yeu


I am very proud to announce the contents and cover design for the third volume of the Best New Singaporean Short Stories anthology series, guest edited by Cyril Wong, to be published in October 2017 by Epigram Books, and launched at Kinokuniya later that month.

The Epigram Books Collection of Best New Singaporean Short Stories: Volume Three gathers the finest Singaporean stories published in 2015 and 2016, selected from hundreds published in journals, magazines, anthologies and single-author collections. Accompanying the stories are the editor’s preface and an extensive list of honourable mentions for further reading.

Here is the table of contents:

  1. Cyril Wong | Preface
  2. Jason Erik Lundberg | Introduction
  3. Yeo Wei Wei | These Foolish Things
  4. Yeoh Jo-Ann | The Thing
  5. Jennifer Anne Champion | See It Coming
  6. Jon Gresham | Walking Backwards Up Bukit Timah Hill
  7. Ovidia Yu | Salvation Solution
  8. Andrew Cheah | A Century of Loneliness
  9. Daryl Qilin Yam | Thing Language
  10. Jason Wee | The City Beneath the City
  11. Amanda Lee Koe | Last Night I Dreamt That Harry Was In Love With Me
  12. Sam Ng | Prices
  13. Yeow Kai Chai | Dark Shades
  14. Andrew Yuen | Love in a Time of Dying
  15. Joelyn Alexandra | Junk Mail
  16. Leonora Liow | Falling Water
  17. SC Gordon | Claire
  18. Nuraliah Norasid | Madam Jamilah’s Family Portrait
  19. Jollin Tan | Better Places
  20. Noelle Q. de Jesus | In the End
  21. Su Leong | Peelings
  22. Verena Tay | The Sensualist
  23. Eva Aldea | Baba Ganoush
  24. Melissa De Silva | It Happened at Mount Pleasant
  25. O Thiam Chin | Campfire
  26. Clara Chow | Want Less
  27. Philip Holden | Library
  28. Manish Melwani | The Tigers of Bengal

Please join us for the book launch at Kinokuniya Neo SIMS (the main store on Orchard Road) on 28 October at 2:30pm. Cyril and I will be co-moderating, and the event will feature contributors Nuraliah Norasid, Clara Chow and Melissa De Silva.

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Worldcon-Bound

In about 32 hours, I will be on a plane bound for Worldcon 75 in Helsinki! The previous (and only) World Science Fiction Convention I attended was in Baltimore in 1998, nearly 20 years ago, and I haven’t been able to attend any conventions in the 10 years since moving to Singapore, so I’m very excited to throw myself into sf fandom once again. I’ve also never traveled to any of the Nordic countries, despite being one-quarter Swedish; the closest I’ve gotten is IKEA in Singapore (which ain’t the same). I’m also beside myself with anticipation at Helsinki’s autumnal weather right now, which will be a welcome break from the tropical heat and humidity of my adopted home.

I’m only participating in one programming event, which I’m moderating; here are the details:

Panel: Surreal Worlds of Southeast Asia (moderator)
with Aliette de Bodard and Victor Fernando R. Ocampo
Messukeskus Helsinki, Expo and Convention Centre, Room 204, 1000-1100am
Southeast Asia—a subregion of the world made up of 11 countries and over 620 million people—is undergoing a renaissance in speculative fiction. More and more authors from the region are spreading their strange stories to the rest of the world, aided by publications such as the long-running Philippine Speculative Fiction anthology series and LONTAR: The Journal of Southeast Asian Speculative Fiction. In this panel moderated by LONTAR‘s founding editor, Jason Erik Lundberg, two authors from Southeast Asia and its diaspora, Aliette de Bodard (France/Vietnam) and Victor Fernando R. Ocampo (Philippines), discuss their works in the context of worldwide speculative fiction in English, and the challenges that come with bringing their authentic voices to a global audience.

Otherwise, I’ll be wandering through the dealers’ room (and likely buying too many books), checking out the art show, attending panels and readings and kaffeeklatsches and the Hugo Awards ceremony, catching up with friends, and also exploring Helsinki itself. This is the first actual vacation I’ve had in years, and I’ll be taking full advantage of it.

I’m also bringing copies of Fish Eats Lion, several (though not all) issues of LONTAR, and the now out-of-print first edition of Red Dot Irreal, for sale at the Independent Authors table in the Trade Hall. Because I have to haul them myself all the way from Singapore, I won’t be bringing many copies, so they might go fast; better to snag them sooner than later.

I still have some last-minute things to take care of today and tomorrow, and then I’ll be flying to Finland! Yay Worldcon!

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The 2016 George Town Literary Festival

This past weekend, I flew up to Penang for the 2016 George Town Literary Festival. It was my first time in Penang, and I definitely want to go back when I actually have the time to check the place out. George Town is a UNESCO World Heritage Site, and so many beautiful old buildings are protected, including Wisma Yeap Chor Ee (WYCE), which was the main GTLF venue. (Although this meant no air-conditioning during some very sweltering days.)

I had a wonderful time seeing some familiar faces (Marc de Faoite, Sharon Bakar, Amanda Lee Koe, Tash Aw, Darryl Whetter), as well as making new friends (James Scudamore, Tishani Doshi, Jérôme Bouchaud, Faisal Tehrani, Ismail Gareth Richards, Amir Muhammad). I was also happy to finally meet the indefatigable Bernice Chauly in person; we’ve been Facebook friends for years, and I’ll be editing her first novel for Epigram Books in 2017.

The festival theme, Hiraeth, was threaded throughout the many panels and readings over the weekend, in explorations of longing, homelands, identity, and the role of fiction. It was a privilege to hear from such thoughtful writers who’d come from all over the world to talk about their work in the context of this framework.

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Where I’ll Be At #SWF2015

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The Singapore Writers Festival is once again upon us, and I will be participating heavily once again (although not as a featured writer this time). If you want to catch me during the festival, I’ll be around with Anya in tow, but I’ll definitely be at the following events:

Brand New Books: Epigram Books Children’s Picture Books
(Launch of A Curious Bundle for Bo Bo and Cha Cha)
(SWF link | FB event)
Asian Civilisations Museum, River Room, 01 Nov, 1100am-1200pm

Brand New Books: UNION: 15 Years of Drunken Boat, 50 Years of Writing From Singapore edited by Ravi Shankar and Alvin Pang
(SWF link)
The Arts House, Gallery, 01 Nov, 230-330pm

Brand New Books: It Never Rains on National Day by Jeremy Tiang
(SWF link | FB event)
The Arts House, Gallery, 01 Nov, 400-500pm

Brand New Books: Epigram Books Anthologies (moderator)
(Launch of The Epigram Books Collection of Best New Singaporean Short Stories: Volume Two and LONTAR: The Journal of Southeast Asian Speculative Fiction issues #4 and #5)
(SWF link | FB event)
The Arts House, Gallery, 01 Nov, 700-800pm

Brand New Books: Big Mole by Ming Cher (moderator)
(SWF link | FB event)
The Arts House, Gallery, 04 Nov, 700-800pm

Panel: Aliens At Home (moderator)
(SWF link)
The Arts House, Blue Room, 08 Nov, 400-500pm

See you there!

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Announcing The Epigram Books Collection of Best New Singaporean Short Stories: Volume Two

The Epigram Books Collection of Best New Singaporean Short Stories V2

Cover design by Lydia Wong
Cover photograph by Malvin Ng


I am very proud to announce the contents and cover design for the second volume of The Epigram Books Collection of Best New Singaporean Short Stories anthology series, to be published in October 2015 by Epigram Books, and officially launched at the Singapore Writers Festival along with LONTAR issues #4 and 5. This instalment is almost 20% bigger than its predecessor, and the number of female contributors jumped from 50% to 67%.

The Epigram Books Collection of Best New Singaporean Short Stories: Volume Two gathers twenty-four of the finest stories from Singaporean writers published in 2013 and 2014, selected from hundreds published in journals, magazines, anthologies and single-author collections. These pieces examine life in Singapore, beyond its borders to Toronto, California, Shanghai, Andhra Pradesh, Pyongchon and Paris, as well as to the distant past and the far future. Accompanying the stories are the editor’s introduction and an extensive list of honourable mentions for further reading.

Here is the table of contents:

  1. Jason Erik Lundberg | Introduction
  2. Evan Adam Ang | A Day In The Death
  3. O Thiam Chin | The Cat That Disappeared
  4. JY Yang | Patterns of a Murmuration, in Billions of Data Points
  5. Jeremy Tiang | Toronto
  6. Tania De Rozario | Certainty
  7. Samantha Toh | White Noise
  8. Yu-Mei Balasingamchow | Visiting
  9. Cheryl Julia Lee | A Red Meteor in the Margins
  10. Amanda Lee Koe | Why Do Chinese People Have Slanted Eyes?
  11. Gemma Pereira | Mama at Owen Road
  12. Andrew Cheah | Anaesthesia
  13. Kirstin Chen | Foreign and Domestic
  14. Victor Fernando R. Ocampo | I m d 1 in 10
  15. Wong Shu Yun | A Short History of the Sun
  16. Ng Yi-Sheng | The Crocodile Prince
  17. Jennani Durai | Tenali Raman Redux
  18. Jinny Koh | Off Duty
  19. Daryl Yam | A Dream in Pyongchon
  20. Stephanie Ye | Meat Bone Tea
  21. Karen Kwek | The Moral Support of Presence
  22. Sharlene Teo | Coast
  23. Cheryl Lu-Lien Tan | Reel
  24. Joshua Ip | The Man Who Turned Into a Photocopier
  25. Claire Tham | The Judge

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Where You Can Find Me at the Singapore Writers Festival

It hasn’t even been two weeks since I got back from New York, but I already need to gear up for the 2014 Singapore Writers Festival. Once again, I’ll be heavily involved this year; Anya’s also old enough now that I think she’ll enjoy the Little Lit events, so we’ll be hitting quite a few of those as well.

So here’s my schedule, including events in which I’ll just be in the audience, if you’d like to catch me:

SWF 2014 Opening Ceremony
(By Invitation Only)
SMU Campus Green, Makeover Tent, 31 Oct, 530-730pm

Little Lit: Storytelling for Little Ones
(Free and Open to All)
National Museum of Singapore, Children’s Wing, Explore, 01 Nov, 1200-1230pm

Little Lit: Guided Craft: Dinosaur Art
(Free and Open to All)
National Museum of Singapore, Platform, 01 Nov, 300-400pm

Panel: Worthy Failure vs Mediocre Success (panelist)
(Festival Pass Event)
Singapore Art Museum, Glass Hall, 01 Nov, 530-630pm

Brand New Books: Trivialities About Me and Myself by Yeng Pway Ngon
(Free and Open to All)
SMU Campus Green, Festival Pavilion, 02 Nov, 1000-1100am

Brand New Books: Ten Things My Father Never Taught Me and Other Stories by Cyril Wong and The Space Between the Raindrops by Justin Ker (moderator)
(Free and Open to All)
SMU Campus Green, Festival Pavilion, 02 Nov, 1000-1100am

SWF Makan
(By Invitation Only)
Food For Thought, National Museum of Singapore, 02 Nov, 1230-130pm

Panel: Superheroes Aren’t Everything
(Festival Pass Event)
SMU, Campus Green, Makeover Tent, 02 Nov, 530-630pm

Brand New Books: Junoesq Literary Journal edited by Grace Chia Kraković
(Free and Open to All)
SMU Campus Green, Festival Pavilion, 05 Nov, 700-800pm

Kirstin Chen in Conversation with Alvin Pang
(Free and Open to All; Non-SWF Event)
BooksActually, 07 Nov, 730-900pm

Meet the Author: Karen Joy Fowler (moderator)
(Festival Pass Event)
National Museum of Singapore, Gallery Theatre, 08 Nov, 1000-1100am
(For those unable to make this session, Karen is doing another MTA event at Kinokuniya Neo SIMS at 430pm.)

Brand New Books: Tibby and Duckie by Emily Lim, Bo Bo and Cha Cha Cook Up a Storm by Jason Erik Lundberg and A Boy Named Harry by Patrick Yee (panelist)
(Free and Open to All)
SMU Campus Green, Festival Pavilion, 08 Nov, 230-330pm

SWF Lecture: “Words Are Not Paint: Or, How I Learned to Stop Worrying and Love Cultural References” by Jonathan Lethem
(Ticketed Event)
National Museum of Singapore, Gallery Theatre, 08 Nov, 500-600pm

Panel: The State of Literature
(Festival Pass Event)
SMU, Campus Green, Makeover Tent, 09 Nov, 1130am-100pm

Meet the Author: Paul Theroux
(Festival Pass Event)
National Museum of Singapore, Gallery Theatre, 09 Nov, 230-330pm

Panel: Writing for the Global Audience
(Festival Pass Event)
SMU, Campus Green, Makeover Tent, 09 Nov, 400-500pm

Whew!

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New York, October 2014, A Week in Pictures

The trip was insanely busy, and so much fun that I didn’t want to leave when it was over. Warning: selfies abound. (Photo credits can be found on my Facebook profile.)


5 Oct:

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Arrival in NYC, greeted with a big smile and bigger hug from my sister Kristin.


6 Oct:

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First New York breakfast, at Café Bene in Washington Heights

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SFWA Reception at The Manhattan Penthouse, where I got to see some old friends, including the very talented Eugene “E.C.” Myers.


7 Oct:

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Visit to Forbidden Planet; this little comic zine was about the Friday the 13th baddie, but I couldn’t resist the chance to be a narcissistic twit. (Later, I also visited Midtown Comics, as well as the Avenger’s S.T.A.T.I.O.N. at Times Square, but didn’t get any photos.)

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Visit to The Strand, one of my favorite bookstores in the world; I found an out-of-print hardcover of Milorad Pavić’s novel The Dictionary of the Khazars (Female Edition).

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Lunch at The Hummus & Pita Co. with good friend (and awesome writer) Jonathan Wood.

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Belated birthday dinner with Kristin at Uncle Nick’s Greek Cuisine; we of course had to order the saganaki.


8 Oct:

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Morning critique session at Books of Wonder with Juliet Ulman, who gave me such insightful editorial feedback on my novella The Diary of One Who Disappeared that I’m still absorbing it.

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PEN Member Mingle at Prohibition, where I chatted to novelist Daniel Akst, and Kristin was a huge hit.


9 Oct:

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Visit with my Aunt Elise; we had dinner at Vamos al Tequila in Brooklyn before my reading at WORD.

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Front display at WORD Brooklyn, featuring books by me, Alvin Pang, and Cyril Wong.

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“What Writing Means in Singapore” at WORD Brooklyn; Alvin, me, Cyril.

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Reading “Occupy: An Exhibition” from Red Dot Irreal.

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Post-reading group pic: The Butcher, The Baker, The Candlestick Maker (according to Alvin).


10 Oct:

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Visit to the Brooklyn Superhero Supply Company, where I found a cape, mask, “energy-boosting” bracelet, and Jovian-fronted tee-shirt for Anya.

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“The Local Cosmopolitan” at Book Culture, which doubled as the Singapore Literature Festival opening party; I read “Taxi Ride” from Red Dot Irreal.

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Post-event photo by Tim Tomlinson; this is what relief and exhaustion looks like.


11 Oct:

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Talking to Cyril before the start of the day of panels at the 92nd Street Y, where I was thankfully only an audience member.

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The packed, and quite diverse, audience at 92Y; here’s poet Eric Thomas Norris asking a profound question.

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The book signing/mingling at the end of the day; me, Kirstin Chen and Christine Chia.


12 Oct:

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“Reading Culture” at Book Culture (again, but what a great store); I read from “Always a Risk” from The Alchemy of Happiness.

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“Encore” at McNally Jackson Books, which doubled as the closing party. I read (and mostly avoided stumbling over my words in) “Bachy Soletanche” from Red Dot Irreal. This is a post-event group photo with the festival authors who were left (some had to leave early), as well as the organizers, Jee and Paul.

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Got to finally connect with Amanda Lee Koe after this event and talk to her about her MFA program at Columbia, and her Singapore Literature Prize shortlisted collection Ministry of Moral Panic. Above: Amanda, Sarah Tang, Joshua Ip; Below: me, Amanda, Cyril.


13 Oct:

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Washington Heights on my last day in NYC, a fantastic neighborhood on Manhattan’s upper west side. I left late that night from JFK.


14 Oct:

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In transit, at Hamad International Airport in Doha, during a seven-hour layover. It was a looooooong flight home.

So, yeah, it was an amazing experience, and I had an incredible blast in the city of my birth. I really hope I’ll be able to get back there again soon.

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Where You Can Find Me in NYC

Next month, I’ll be flying from Singapore to New York City to be part of the inaugural Singapore Literature Festival in NYC, alongside a baker’s dozen other remarkable fiction writers, poets, and dramatists. I’m only there for a week, sadly, and it’s looking like that week will be jam-packed; when I’m not involved in the festival itself, I’ll also be spending some time with family and friends (and meeting with Juliet Ulman to discuss my novella, The Diary of One Who Disappeared). So if you want to catch me while I’m in town, your best bet is to check out one of the events I’m participating in.

So here’s my schedule:

SFWA Annual Reception for Industry Professionals
(SFWA Members and Guests Only)
The Manhattan Penthouse, 06 Oct, 700-1100pm

PEN American Center Members Mingle
(PEN Members and Guests Only)
Prohibition, 503 Columbus Avenue, 08 Oct, 630-830pm

What Writing Means in Singapore
(SLF Related Event—Free and Open to All)
WORD Bookstore (Brooklyn), 09 Oct, 700-830pm

The Local Cosmopolitan
(SLF Opening Party—By Invitation Only)
Book Culture, 10 Oct, 700-900pm

Book Signing
(Entry by ticket to one of the 92Y events)
92nd Street Y, 11 Oct, 600-630pm

Reading Culture
(Free and Open to All)
Book Culture, 12 Oct, 200-400pm

Encore
(SLF Closing Party—By Invitation Only)
McNally Jackson Books, 12 Oct, 700-900pm

More details at the full SLF programming schedule.

As mentioned above, the events at WORD on the 9th and Book Culture on the 12th are free, but all the ones scheduled at the 92nd Street Y are ticketed. Also, I’m likely to be at all the events on Saturday the 11th from 2pm onward, in the audience, so please do come up and say hi (and don’t worry that you’ll be bothering me, because meeting folks is a big part of the whole trip). I’m also happy to sign books at any point, not just during the official signing slot on the 11th.

Hope to see some friendly faces there!

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Let me explain. No, there is too much. Let me sum up.

Happy Friday the 13th! Just in case you missed it, or if you don’t regularly follow my Facebook feed, I released a LOT of announcements this week:

1) Fish Eats Lion is now available as an ebook from Infinity Plus Books, at all major ebook stores [full post].

2) My next picture book, Bo Bo and Cha Cha Cook Up a Storm, will be released in October from Epigram Books [photo proof].

3) LONTAR issues #1 and #2 took the top bestselling spots at Weightless Books for May 2014, and are also now up at the Nook and iTunes stores [full post].

4) The contents for LONTAR issue #3 were finalized, and the journal will hereon be published by Epigram Books [full post].

5) My story “Taxi Ride” appears in the Summer 2014 “Starry Island” issue of MANOA Journal, which will be available at Kinokuniya near the end of July, and can be pre-ordered now [press release | order page].

6) Amanda Lee Koe’s fiction collection, Ministry of Moral Panic (which I edited), made the 2014 longlist for the Frank O’Connor International Short Story Award [award site].

7) I will be in New York City in early October, appearing at a WORD Bookstore event in Brooklyn and at the inaugural Singapore Literature Festival at the 92nd Street Y [full post].

A very fortuitous week, the best in some time, career-wise. I am doing my best to be grateful for the influx of good news, rather than expecting a falling anvil from the sky at any moment.

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NYC-Bound in October!

I’ve been sitting on some exciting news, and have just been given the go-ahead to announce it: I will be in New York City in early October as part of the inaugural Singapore Literature Festival! So excite!

The festival takes place on 10-12 October at the 92nd Street Y, and is being organized by Paul Rozario-Falcone and Jee Leong Koh. It is a “community-led, grassroots event that aims to build awareness of Singaporean writing among readers, editors, and publishing professionals in New York; connect Singaporean and other writers; and offer a platform for regular readings of Singaporean literature in New York during the rest of the year.”

I’m joined by a fantastic array of Singaporean authors, in whose company I am honored and flattered to be included: Alfian Sa’at, Kirstin Chen, Christine Chia, Tania De Rozario, Colin Goh and Woo Yen Yen, Haresh Sharma, Joshua Ip, Isa Kamari, Pooja Nansi, Alvin Pang, Wena Poon, and Cyril Wong.

In addition to the festival proper, I’ll also be appearing at a bookstore event along with Alvin Pang and Cyril Wong at WORD Bookstore in Brooklyn on 9 October. Kinda like a pre-festival fringe event. We’ll be discussing Singaporean prose and all kinds of other stuff.

I’m meeting with Juliet Ulman to go over the edits to my novella The Diary of a Man Who Disappeared (recipient of a NAC Creation Grant), and would love to be able to meet up with other NYC-based peeps as well; just shoot me a message via email or Facebook, and we’ll see if we can’t make it happen during the limited time when I’m there.

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A Very Belated Update (With Pictures!)

Today is Chinese New Year in Singapore, and so I thought I’d finally update this blog after being so negligent for the past few months. (Although I do have the excuse that the last few months have been freakishly busy, but still, I was feeling bad about it.) By its nature, this will be quite long, and in chronological order, but at least you’ll have some pictures with which to break it up.

Back at the beginning of November, I was once again a featured author at the Singapore Writers Festival. This year seemed even more packed than previous ones, and I was exhausted by the end of it, but had such a fantastic time. Some of the highlights:

Launching three books I edited for Epigram Books: The Last Lesson of Mrs de Souza by Cyril Wong, Ministry of Moral Panic by Amanda Lee Koe, and The Epigram Books Collection of Best New Singaporean Short Stories: Volume One.

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(L to R: me, Amanda Lee Koe, Cyril Wong)

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(BNSSS contributors, L to R: Stephanie Ye, Wei Fen Lee, Alvin Pang, Yu-Mei Balasingamchow, Alfian Sa’at, me. Photo by Ann Ang.)

Being on the “Alternate Realities” panel with Dean Francis Alfar, who is even more handsome and charming in person.

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(L to R: me, Rajeev Patke (mod), Dean Francis Alfar. Photo by David Seow.)

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(Dean and me goofing around afterward at the signing table. My brother from another mother.)

Hanging out with Terri Windling, one of my literary heroes, and one of the biggest influences on me as an editor.

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(L to R: me, Terri Windling, Jasmine Ann Cooray)

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(I still spazz a bit when I look at this signature.)

Participating in the SWF Fringe debate, “Fairy Tales Screw Us Up“, even though it took place in the old Parliament chambers at The Arts House, because that wasn’t intimidating at all.

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(I was on the opposition team, and led my argument with the epigraph by G.K. Chesterton that appears at the beginning of Neil Gaiman’s Coraline.)

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(Audience Q&A, L to R: Felicia Low-Jimenez, Adan Jimenez, Josephine Chia, Sjón. I was totally freaking out that Sjón was there, because I’m such a big fan of his work; I got to meet him several days later, after one of his panels, and talk to him just for a bit before he had to rush off.)

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(L to R: Harris Jahim (prop), Verena Tay (prop), Charlene Shepherdson (prop), Margaret Supramaniam (opp), Carolyn Camoens (mod), Paolo Chikiamco (opp), me (opp), and William Phuan (director of TAH). It was great to see Paolo in action (he won the “best debater” award), and to spend a bit of time with him as well, something that doesn’t happen often enough.)

Meeting Mohsin Hamid after his lecture “I Don’t Believe in Reality”, and having him sign my copy of How to Get Filthy Rich in Rising Asia (one of my favorite books from 2013).

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There were many other events I attended as well, including the Epigram Books launch of The Tower by Isa Kamari and Confrontation by Mohamed Latiff Mohamed (which I edited, and which was listed as one of the Most Satisfying Reads of 2013 by The Business Times), and I got to hang out quite a lot with Jasmine Cooray (an all-around wonderful person and amazing poet; look for her new collection from Math Paper Press this March). It was such a whirlwind event, and the organizers really outdid themselves.

***

For Christmas, Anya and I flew 30 hours from Singapore to the US to spend the holiday with my family. It was a wonderful two and half weeks back in my home country, and I felt reconnected to a part of myself that I hadn’t seen in quite some time. Even though I Skype with my parents every weekend, and my sister every few weeks, I hadn’t seen them in person in two years, and I just can’t explain how good that made me feel, to be in their presence once again, and how sad I was when it came time to leave. It was also so great to visit (even if briefly) with my dear friend Heather Dye-Frink and her husband David, and have Anya play with their two girls, who are around the same age.

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(Anya is deep into a pink phase, and loved this outfit to pieces.)

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(Anya coloring with her Auntie Kristin on my parents’ covered porch.)

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(Anya helping out her Papa with a sudoku puzzle.)

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(Me, Anya, and Kristin at a playground near my parents’ house. It was cold enough for heavy coats, but not for snow.)

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(Anya playing with her Yiayia.)

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(The Christmas tree, and the dining room table set for Christmas dinner.)

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(Anya playing Santa’s helper, and handing out presents on Christmas morning. She did so well!)

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(Me and my little girl, near the end of the trip. Photo by Mike Oniffrey.)

***

At the beginning of January, Theophilus Kwek and I launched our new Babette’s Feast chapbooks at BooksActually, and Embracing the Strange made its official way out into the world. I’m very proud of this odd little hybrid essay/memoir/metafiction, and I hope that readers get something out of it.

***

To my absolute and utterly delight, Strange Mammals was favorably reviewed in The Guardian by Eric Brown. “Jason Erik Lundberg’s third collection, Strange Mammals, gathers 25 short stories in which literary naturalism gives way to the surreal, the absurd and the magical. […] Lundberg has the enviable talent of achieving emotionally resonant effects within just a few pages.” This has made my month.

***

I was one of the judges in the 2013 Quantum Shorts competition organized by the NUS Centre for Quantum Technologies, and sponsored by Scientific American, Tor Books and Tor.com. The winners were recently announced, and I was pleased to see that two of my three choices took home the top prizes in the Open International category. Congrats to everyone!

***

I have a reprint (“Ikan Berbudi (Wise Fish)”) in the just-released ebook anthology Outpouring: Typhoon Yolanda Relief Anthology, edited by the always fantastic Dean Francis Alfar. Proceeds from sales will go toward the ongoing efforts of the Philippine Red Cross, and I’m very proud to be a part of this book, and to share a table of contents with folks like Jeffrey Ford, Ken Scholes, Nikki Alfar, Kate Osias, Rochita Loenen-Ruiz, Berrien C. Henderson, and many others.

The book is now available for Kindle and Kobo, and soon on the Flipside, Weightless, Wizard, and iTunes ebook stores. It’s for a very good cause, so pick up your copy today.

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***

Red Dot Irreal and A Field Guide to Surreal Botany are once again available in North America, thanks to the efforts of my spiritual big brother and good friend James Artimus Owen. They’re part of the Coppervale Showcase, which was created “to shine a light on exceptional books created by even more exceptional people, to hopefully increase their readership while giving readers a wonderful experience of discovering books they may otherwise have missed.”

If you have been wanting a copy of one of these books (or both), but didn’t want to pay the shipping from Singapore, you can now order them directly from him; quantities are limited, so I’d recommend getting them sooner rather than later. And while you’re there, do yourself a favor and also pick up an issue of Argosy or a book or art print by James himself; the man is crazy talented and has a really big heart, and deserves your support.

***

New information on the release of Bo Bo and Cha Cha and the New Year Gift, but I’ll put that in a separate post after this. Whew.

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Announcing The Epigram Books Collection of Best New Singaporean Short Stories: Volume One

The Epigram Books Collection of Best New Singaporean Short Stories

Cover design by Lydia Wong
Cover photograph by Darren Soh


Enter the book giveaway at Goodreads!

“Singapore’s fiction revival is on track! Thirty-five years after Robert Yeo’s landmark curation of the best national stories of his time, the project re-begins with a fresh slate of short fiction that rightly welcomes several new names. Jason Erik Lundberg has done an outstanding job of choosing stories you will want to return to—like rooms in the head—for years to come!”
—Gwee Li Sui, author and illustrator of Myth of the Stone


Contents

  1. Introduction | Jason Erik Lundberg
  2. The Tiger of 142B | Dave Chua
  3. The Hearing Aid | Vinita Ramani Mohan
  4. The Illoi of Kantimeral | Alvin Pang
  5. Lighthouse | Yu-Mei Balasingamchow
  6. Seascrapers | Stephanie Ye
  7. Because I Tell | Felix Cheong
  8. Sleeping | O Thiam Chin
  9. Agnes Joaquim, Bioterrorist | Ng Yi-Sheng
  10. The Dispossessed | Karen Kwek
  11. Harmonious Residences | Jeremy Tiang
  12. Randy’s Rotisserie | Amanda Lee Koe
  13. The Protocol Wars of Laundry and Coexistence | Koh Choon Hwee
  14. Zero Hour | Cyril Wong
  15. Walls | Verena Tay
  16. Copies | Eleanor Neo
  17. Welcome to the Pond | Wei Fen Lee
  18. Scared For What | Ann Ang
  19. Joo Chiat and Other Lost Things | Justin Ker
  20. Anniversary | Phan Ming Yen
  21. The Borrowed Boy | Alfian Sa’at

I am very proud to announce the contents and cover design for the first volume of The Epigram Books Collection of Best New Singaporean Short Stories, to be published in October, and officially launched at the 2013 Singapore Writers Festival.

After spending months reading dozens of literary journals, magazine issues, anthologies, and single-author collections, I narrowed down the list to the above twenty stories, evenly split between male and female authors. A list of honourable mentions will also be provided in the back of the book for further reading.

The Epigram Books Collection of Best New Singaporean Short Stories: Volume One curates the finest short fiction from Singaporean writers published in 2011 and 2012. This ground-breaking and unique anthology showcases stories that examine various facets of the human condition and the truths that we tell ourselves in order to exist in the everyday. The styles are as varied as the authors, and no two pieces are alike. Here are twenty unique and breathtaking literary insights into the Singaporean psyche, which examine what it means to live in this particular part of the world at this particular time.

Until 4th of October, you can enter to win one of only two Advance Uncorrected Proofs of the anthology at the book giveaway at Goodreads. The scope of the giveaway is quite wide (the major Anglophone countries and Southeast Asia), so enter today!

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